Vintage Brass Annapakshi Pooja Plate | Telangana | South Indian Ritual Art
Vintage Brass Annapakshi Pooja Plate | Telangana | South Indian Ritual Art

Vintage Brass Annapakshi Pooja Plate | Telangana | South Indian Ritual Art

This vintage brass pooja plate from Telangana features an Annapakshi at its centre, a distinctive auspicious motif found across South Indian decorative, temple and ritual arts. The brass plate is mounted against green raw silk with embroidered motifs, creating a striking presentation while retaining the character of a traditional Indian ritual object.

The Annapakshi is a mythical auspicious bird widely represented in South Indian art, appearing in traditional wood carving, bronze and brass work, textiles, temple architecture and decorative objects. Its association with abundance, prosperity, good fortune and auspiciousness has made it a recurring motif in Indian craftsmanship.

As a vintage brass pooja plate, the piece reflects the longstanding use of brass in Indian devotional and ritual objects. The combination of the functional ritual form, prominently rendered Annapakshi motif and textile mounting makes it an interesting collectible for those interested in Telangana craft, South Indian brassware, Indian ritual objects and traditional Indian craftsmanship.

Details

Origin: Telangana, India
Tradition: South Indian ritual and decorative arts
Motif: Annapakshi
Material: Brass, mounted on green raw silk with embroidered motifs
Dimensions: H 14 × L 14 × D 2 in
Condition: Vintage condition with signs of age and surface wear consistent with its character
Use: Traditionally associated with pooja and devotional rituals
Authenticity: Comes with an authenticity certificate from The Blue Trunk.

Regular priceRs. 8,900.00
/
Tax included.
Weight(higher of actual or volumetric): 6.0 kg

Wipe the piece with a soft, dry cloth. Do not expose it to direct sunlight, dampness, heat or cold.

Shipping is free in India upto 5 kgs. Please refer to the “Payment, Shipping and Returns” before you place your order.


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